Meet the man who pitched Sarkodie, BurnaBoy, others, to the Grammy Board & changed their perception of African music – Ghana Music

Meet the man who pitched Sarkodie, BurnaBoy, others, to the Grammy Board & changed their perception of African music – Ghana Music


Unveiled right now on Ghanamusic.com is Marlon Fuentes, the previous head of worldwide music on the Grammys who effected change that launched Sarkodie, Stonebwoy, Rocky Dawuni, amongst different award Hopefuls to the Grammy board.

He speaks about egocentric gatekeepers, expectations vs. actuality for individuals who used to deal with the International Music class, how he effected change for Afrobeats and extra.

Marlon Fuentes was born in Mexico Metropolis, Mexico, however his household moved to the US when he was only a toddler. Born right into a extremely musical household, he grew up listening to a various vary of music from totally different areas of the world. However his dad had a factor for African music, as a favourite.

African music is constructed round percussion and plenty of rhythm. It’s not a lot of a distance from LatinX or Hispanic music. It’s then comprehensible that me or my dad can relate with it on a better degree. Some Mexican, Brazilian, Cuban or Colombian genres have heavy roots in African music,” Fuentes tells Pulse. 

“My father performed Ladysmith Black Mambazo, Fela Kuti, Angelique Kidjo, Mariam Makeba and extra in our home as a child. I grew up with them and I linked with them.”

Fuentes grew up and so did his love for music. Past the Folkloric music that his household nurtured him with, he found Hip-Hip, R&B, Rock, Afrobeats and extra. He then turned a DJ and a collector of music.

Within the 2000s, he was a part of a small neighborhood of people that beloved African pop music – though, he would by no means simply overtly consult with himself as an “early adopter” for apparent causes.

He calls himself, “an opportuned one who solely performed a task within the music trade.” He additionally calls his early love for music a privilege and stays eager to reiterate that he loves music of all types, from which African music occurs to be one.

On shut examination, he speaks with a child-like ardour about African Pop music, and the victorious ‘I informed you so’ smile of an early adopter, who informed his fellow Individuals to concentrate to Afrobeats, which he’s all the time known as “champion sound.” He most likely doesn’t even notice that the eagerness exhibits, each time he speaks about African music.

2018 was a very pivotal time for African music within the US. You possibly can argue that the music began rising from round 2010 or 2012, however immigrants in small communities and ‘hip’ [laughs] white individuals had been those enjoying that music,” he mentioned. “We might play Oskido, Kwaito, Makossa music within the 2000s and 2010s. However the market wasn’t too massive for these sounds.”

Fuentes displays that as of late, it’s astounding to see DJs or road events randomly play African music as a part of pop music units. As a DJ, Fuentes remembers enjoying African music to random events within the 2000s to excessive appreciation, however little stickiness.

“I believe it’s a factor of expectation or lack thereof,” Fuentes mentioned in July 2021. “On the time, the states had integrated Dancehall, Reggae and the earliest days of Ok-Pop, however that Champion Sound [Afrobeats or African Pop Music] was too uncooked for the typical white individual, who had a ready-made expectation of African music as conventional or folksy, with footage of bamboos and half-naked dance routines.

It was a stereotypical factor – individuals couldn’t reconcile the attraction of up to date Champion sound with their expectations and it resulted in a scarcity of connection.”

Fuentes joins the Grammys

In 2018, Fuentes’ status as a DJ, cultural curator, educated musicologist from UCLA and a staunch music lover with limitless palette and consumption behavior was burgeoning, and it led to an unbelievable encounter. A pal noticed a possibility and nudged Fuentes to use as a curator.

As an outsider trying in, Fuentes had reservations concerning the notion of worldwide music on the Grammys and he was eager to make modifications. He then rose to turn into the Supervisor of International Music, the place his work really started.

Below his management, the class turned a greater illustration of up to date music consumption in worldwide markets – particularly Africa, extra Africans turned voting members of the recording Academy, ‘World Music’ turned ‘International Music’ and International Music acquired a brand new class for songs.

However getting right here required fairly the journey, and it was fairly arduous.

Issues with the Grammys

Man, earlier than I joined the Academy, I all the time questioned why nominees within the ‘World Music’ class had parallels: the music was all the time centred round ‘ideas’ or socio-political points, and it was normally conventional or folkloric [laughs]. It used to astound me,” he jokes. “Once I joined the Academy, I might play them Diamond or Davido or Fally Ipupa, however they couldn’t reconcile the fact with their expectations.”

They’d say stuff like, ‘However I don’t hear ‘the African or World Music’ in there.’ [laughs],” the Wanting Glass Manufacturing unit boss provides. “The individuals answerable for World [now Global] Music had been older white individuals, who couldn’t see that the soundscape in Africa and in these smaller hubs had modified from what they knew.”

Their concept of World Music needed to be this summary idea or music that wasn’t as commercially viable. Explaining to them that Diamond or Burna Boy or Wizkid was additionally World [now Global] music worthy of a nomination, regardless of the bling and good life, as an alternative of half-naked dancers carrying palm fronds of their music movies was fairly powerful [laughs],” he continues.

They all the time tried to push the extra modern [African] artists into different classes like Pop or R&B, the place they had been going to lose or get drowned out by larger American data.”

Fuentes understands that some data made by modern African artists like Wizkid, Burna Boy, Davido, Diamond, Sarkodie and so forth can cross for the R&B, Pop or Rap classes, however he needed to have a good time worldwide artists and worldwide music with World [now Global] music class, nevertheless small the platform may appear.

For a begin, he needed to make use of that class to feed modern worldwide music to the American viewers. If these worldwide songs then get large enough to turn into sturdy contenders in different classes, then he can be pleased with that.

However in 2018 or 2019, he felt like worldwide music from smaller markets like Africa wanted a launchpad just like the World Music class to showcase and have a good time them, and their significance to their continent or their nation of origin, in a method that displays the favored consumption patterns in these continents or nations.

Take a look at BTS, they had been by no means nominated within the World Music class. Now, they may get nominated within the pop classes and that’s good,” Fuentes enthuses. “However two years in the past, a nod within the World Music class would have been enough to have a good time them.

But it by no means occurred as a result of they had been modern. Furthermore, Ok-Pop was and remains to be larger than African music within the states. Celebrating African music with that class is significantly better than touting them for larger classesthe place they might be beset by comparable issues of expectations of the typical white individual of what African music ought to, somewhat than what it’s.”

Cool worldwide Pop music might be cool to Individuals as effectively, and we needed to implement that narrative,” he provides.

To implement his trigger, Fuentes got down to reeducate the voting members of the Academy that the Grammys shouldn’t simply be an “summary idea” that merely rewards excessive musicality, to the exclusion of business success or reputation. As a musicologist, he stays eager to have a good time high-calibre musicality, even when it comes hooked up with business success and modern mainstream attraction or acceptance.

Getting them to see the high-calibre musicality of African Modern Pop music was powerful. Excessive-calibre musicality shouldn’t be restricted to the extra Folkloric sounds, with grandiose messaging,” he enthuses. “It can be Pop music. Furthermore, African music – for instance – can have totally different variations or subgenres, identical to Rap has BoomBap, Crunk, Entice, Drill or Grime. They usually can all produce high-calibre musicality.”

Egocentric Gatekeepers

Fuentes and his class additionally needed to fight egocentric gatekeepers. A part of those that fought again in opposition to him had been purists, who needed to maintain the established order, from which they’re beneficiaries.

As a lot as these guys are purists, who positively consider that conventional or folkloric music possesses larger musicality than pop music, a few of them are beneficiaries of that system,” he confesses. “They solely acquired themselves aware of makers of conventional African music – for instance – and a brand new alliance with newer, extra fashionable acts is detrimental to their bag.”

Fuentes namechecks somebody like Ian Brennan, an American music producer, lecturer and creator of Silenced by Sound: The Music Meritocracy Fantasy.

He’s the producer of Tinariwen‘s Tassili, 2011 album which received a Grammy Award for Greatest World Music Album and Zomba Jail Venture, a nominated album,

Different albums produced by Brennan, like Ramblin’ Jack Elliott‘s I Stand Alone (2006) and Peter Case‘s Let Us Now Reward Sleepy John (2007) had been nominated for Grammy Award for Greatest Conventional Folks Album.

Fixing the issues

With the assistance of different like-minded people throughout the Academy, Fuentes realized that he couldn’t struggle the battle alone. First, he made certain that extra individuals from worldwide markets, usually enticing to the World Music class turned members of the Academy.

I knew it was crucial to get extra individuals – particularly Africans – into the Academy to go f*ck sh*t up. So we inspired extra of them – principally artists and producers – to turn into members of the Academy,” he confesses. “As a lot as I acknowledge the potential of sentimental votes as a result of a Grammy is prestigious, I additionally operated on the information that recreation acknowledges recreation.”

Artists know music they usually acknowledge greatness, expertise, effort and work ethic in one another,” he provides. “Some will vote with sentiment, however most will vote with appreciation in thoughts.”

Second, he modified ‘World Music’ to ‘International Music.’ Then third, he created the ‘International Music Efficiency’ class, which will increase the avenues to have a good time and showcase worldwide music. And he was very specific about Afrobeats.

World music vs. International Music and International Efficiency

Fuentes attracts parallels between ‘World Music’ and ‘City Music’ as euphemistic, elitist expressions in American music. He had issues with that tag ‘World Music,’ and much more issues with its definition. As a lot as he was tempted to easily redefine the tag for broader illustration, he additionally sought to alter the title of the class solely.

What precisely is World Music, Motolani? I get the rationale behind it. I additionally perceive that it was meant to have a good time music from exterior the states. Individuals additionally suppose that the tag ‘World Music’ is seperatist and elitist, however the notion and use of the class is extra separatist than the tag itself.

A tag might be no matter you need it to be.” he enthuses. “Though ‘World Music’ may not be naturally offensive in its atypical state, it had grown to have a separatist and elitist notion. You merely can’t redefine the class for broader impact with out altering its tag.”

As a lot as Fuentes acknowledges that ‘World’ and ‘International’ might be interchangeables that signify semantics to sure individuals, he was eager to clarify that they imply various things.

In atypical parlance, ‘World’ within the Grammy context takes ‘America’ out, however ‘International’ is extra inclusive and it showcases unity,” he says. “Furthermore, the concept of distinction comes from what you undertaking, and that class wanted some type of change.”

Of their 2020 announcement, the Recording Academy mentioned that ‘International Music,’ “Acknowledges excellence in albums of world music, together with recordings of worldwide non-Western classical music, worldwide non-American and non-British conventional folks music, worldwide cross-cultural music based mostly on the beforehand talked about genres in addition to worldwide recordings of world beat, world jazz (with a better share of world than jazz music), world pop and cross-cultural music.

“Albums of reggae, Latin or European pop music aren’t eligible on this class and ought to be entered in different classes as acceptable.”

On March 14, 2021, the Grammys introduced one other Fuentes child, the International Music Efficiency class.

Burna Boy’s win

A few of these modifications and the redefinition led to Burna Boy’s win.

In earlier years, a Burna Boy win would have been unlikely, despite the fact that his music had the widest consumption in that class. And this might have been attributable to its pop state,” Fuentes provides. “However it was good to see him win that class and it was deserved. The class wanted an ice breaker, and it was good to see that others noticed the necessity as effectively.”

Afrobeats class

Whereas Fuentes notes that it’s more likely to occur sooner somewhat than later, he additionally notes that it’s going to take pitching and lobbying.

Harvey Mason wouldn’t simply get up someday and add an Afrobeats class. He responds to pitches and lobbying. In the beginning of yearly, individuals must pitch for that class. Let’s see what can occur,” he provides.

Fuentes has since resigned his job on the Recording Academy and moved from the West Coast to the East Coast, the place he runs his firm, Wanting Glass Manufacturing unit – a hologram expertise firm. He’s reluctant to see a return to the Recording Academy, however he doesn’t fully shut the door on it both.

Supply: Pulse Nigeria

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